fanatic fandom

My other blog is a BMW. But this is a bandanna-pink Volkswagen Beetle - for flirty frivolous fun and fanatic fandom. This is where i get to play the bimbonic-geek and rave, enthuse, bitch and rant about anything and everything under the sun. Feel free to chip in!

Wednesday, October 31, 2007

november rain

Late October segueing into November, and the rain falls in its steady tropical way outside the safe shelters of our houses, and I wonder how it would feel to be out in the rain wandering homeless, instead of ensconced here, writing a blog entry about the end-of-the-year rain.

Blow, winds, and crack your cheeks! Rage! Blow!...

Thank God for small blessings. Or, perhaps, not so small, in the larger scheme of things. Food, shelter, clothing - to be here, in 21st century Singapore, and not to be scrabbling in the dirt pouncing on vermin for food, must surely be a miracle that has taken eons of social, cultural and biological evolution, the slow building and dismantling of empires, each small deliberate or accidental step heading towards this present moment, this culmination of all our yesterdays, writing a blog entry on November rain.
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Monday, October 29, 2007

any takers?

One of the side-benefits of fame is that your name gets used to entertain other people. Which is a pretty decent way of making a difference in this world, won't you say - making other people smile?

Here's Sviatoslav Richter, being posthumously entertaining again.

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WANTED: S. Richter lookalike to work as an extra
Reply to: gigs-278167412@craigslist.org
Date: 2007-02-13, 1:56PM EST

Seeking someone who resembles late, world renowned pianist Sviatolsav [sic] Richter in ‘late’ phase of his life to work for two hours as an extra in a visual art project. There is no special talent needed, just the looks.

IN ORDER TO SEE PHOTOS PLEASE GOOGLE: Sviatoslav Richter using Google/Images option.

Also, please note that Sviatoslav Richter was very tall - which may not be so obvious from the available photos. Job description: this person will just sit in a pleasant, not at all boring environment for about two hours, wearing tuxedo or other formal, elegant outfit, playing a passive yet very important role. It should be a lot of fun. More details later. Compensation+ credit.


(taken from: http://jeremydenk.net/blog/)
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Sunday, October 28, 2007

frivolity

We need more frivolity on this blog.

*Goes off in search of frivolous things.*
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Saturday, October 20, 2007

doubling the point

Here's Coetzee again. (Forgive me, I suspect he's becoming my favourite writer. And I speak of not only his writing per se, but the persona - carefully constructed, no doubt, but ultimately still constructed by a self that thinks, feels and judges; and therefore a reflection, however incomplete, of that self - that comes across in his criticism, interviews, and so on.)

Here are some uncharacteristically open comments from Coetzee on his motivations and his art. Taken from Doubling the Point: Essays and Interviews (ed. David Atwell).


On suffering:

"(Let me add, entirely parenthetically, that I, as a person, as a personality, am overwhelmed, that my thinking is thrown into confusion and helplessness, by the fact of suffering in the world, and not only human suffering. These fictional constructions of mine are paltry, ludicrous defences against that being-overwhelmed, and, to me, transparently so.)"


On his engagement (or lack thereof) in South African politics:

"I tested the possibility of retreating to the sidelines. I was offered jobs in Canada and Hong Kong. At the last minute I turned both down. Why? A certain fatality, perhaps, a will to remain in crisis. A real resolution would have been to hurl myself bodily into the anti-imperialist struggle (I use that language in a spirit of irony; yet what other language is there?). But the picture of myself marching into the fray - I, with my craving for privacy, my distaste for crowds, for slogans, my almost physical revulsion against obeying orders, I who by dint of utterly uncharacteristic, single-minded cunning had got through four years of high school without doing military drill - the picture was simply comic.

Why that revulsion? I can only say that violence and death, my own death, are to me, intuitively, the same thing. Violence, as soon as I sense its presence within me, becomes introverted as violence against myself: I cannot project it outward. I am unable to, or refuse to, conceive of a liberating violence... I cannot but think: if all of us imagined violence as violence against ourselves, perhaps we would have peace. (Whether peace is what we most deeply want is another story.) Or, to explain myself another way: I understand the Crucifixion as a refusal and an introversion of retributive violence, a refusal so deliberate, so conscious, and so powerful that it overwhelms any reinterpretation, Freudian, Marxian, or whatever, that we can give to it."


On truth and justice:

"Why should one choose the side of justice when it is not in one's material interest to do so?... Because we are born with the idea of justice. Why should I be interested in the truth about myself when the truth may not be in my interest?... Because we are born with the idea of the truth."
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Thursday, October 18, 2007

dreamin' of south africa

I swear, it's not just cos of Coetzee. Though novels and poetry about South Africa, admittedly, did play a large part in getting me fascinated with the idea of the place.

Over the years I've learnt to recognise and accept the fact that my life happens over long spans of time. 11 years to stop running away from God and turn to Him instead, 8 years to come to terms with the loss of a city-home, 7 years to really get over a dream, 6 years to start feeling at home in a workplace, 5 years to mend a broken friendship... So this South African dream has been incubating for more than 2 years now, and it's finally come to a point where I have to declare my allegiance, so to speak, and work to make it happen.

I'm fairly sure it will happen, circumstances permitting (it's complicated) and God willing, because the last time I determined to go somewhere, I actually did, just over a year later.

Here's to South Africa in December 2008. Cheers. :)
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Tuesday, October 09, 2007

vindicated

"... Coetzee's fiction wavers between the unacceptable alternatives of frustrated Utopianism and apocalyptic despair. (Or are these alternatives interchangeable? As Patrician Merivale remarks of Life and Times of Michael K: "The book's crypto-pastoral ending, with its ironic paean to the spirit of survival, might be Faulknerian were it not so doubtfully subjunctive' (emphasis added).).... Coetzee's parables yield no obvious morals, yet they are 'ethically saturated'... What is most characteristic of Coetzee's novels (and, one suspects also, of their author), is that they brook no compromise: they refrain from uttering 'truths' when they know these to be relative; they uncover the material conditions that produce the lie of 'transcendent value'. The obliquity of Coetzee's writing is the sign of its precision."

(Graham Huggan and Stephen Watson, 'Introduction', Critical Perspectives on J.M. Coetzee)


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I suppose one could say that this is a sign of a fundamental intellectual insecurity - always wanting to find some critical affirmation for my own instinctive responses to the things I read. Still, perhaps all I need are a few more such happy affirmations, and I'll be on my Lit M.A. way.

The extract echoes what I feel, intuitively, about Coetzee's work: that it's impossible to pin it down to a single interpretation or 'truth' that cannot be immediately contested even within the framework of that interpretation. And I suppose that, besides its linguistic precision and economy, it is this aspect of his writing that has such a hold on me: its integrity, its refusal to settle for easy answers - even at the cost of not finding an answer.

'Doubtfully subjunctive' - what a wonderful way of saying that the last paragraph of Michael K leaves one feeling cheated into hope.
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Monday, October 08, 2007

say 'Cheese'!

When I was young(er), it was cool to be cynical. Something like this would never have made it here. I've been weaned of cynicism since, though. After a while the bitterness and sourness just wasn't worth the time and energy. Let others be cool if they want to be.

So, here. Have some cheese (with crackers coming up soon). There is wisdom here beyond the cleverness that we so often worship.

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People are often unreasonable, illogical, and self-centered;
Forgive them anyway.

If you are kind, people may accuse you of selfish, ulterior motives;
Be kind anyway.

If you are successful, you will win some false friends and some true enemies;
Succeed anyway.

If you are honest and frank, people may cheat you;
Be honest and frank anyway.

What you spend years building, someone could destroy overnight;
Build anyway.

If you find serenity and happiness, they may be jealous;
Be happy anyway.

The good you do today, people will often forget tomorrow;
Do good anyway.

Give the world the best you have, and it may never be enough;
Give the world the best you've got anyway.

You see, in the final analysis, it is between you and God;
It was never between you and them anyway.
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Saturday, October 06, 2007

minor fandom

Warning: casual language ahead. Do not read if you're searching for cheem-ness.

Well, yeah, there's major fandom of the Coetzee, Beethoven, and pre-2000 U2 genre, and then there's minor fandom like the kind that's driving me to contemplate going for Brit pianist Stephen Hough's concert this evening (checks time: 12:18am - yes, this evening), just because he's such a good musician, a passionate teacher, and a lovely person.

I first heard Hough in concert about seven or eight years ago, in the old days before the Esplanade. I remember that occasion because, firstly, his playing was good enough for me to be able to tell it was good, and secondly, because by some wonderful quirk of circumstance, I ended up tagging along with a group of music afficionados (of whom I only knew one other person) when they went off for supper with the soloist after the concert. He struck me as wonderfully down-to-earth, humble, and yet thoughtful, intelligent, articulate, and witty. (Yes, yes, I know - what can you tell after one encounter? But other people have agreed.)

So when I heard about the piano masterclass he was giving at Yong Siew Toh earlier this week, it didn't take much for me to make my way there, even at the expense of some other fairly important and urgent work that needed to be done. (Sleep can always be sacrificed. It's sometimes such a waste of time.) And I'm so glad I went. There's no way I could have known, simply from that one performance and suppertime encounter, what a good teacher Hough is. Teaching takes passion, quick-wittedness, sensitivity, tact, toughness, and confidence - and all this was evident in the way he took the students through some very challenging repertoire, at points leaping up from his seat to emphasise a point. He was one happy camper. And yet, he was always so subtly aware of exactly what each student's strengths and weaknesses were, and articulate enough to say exactly what needed to be said, in memorable language.

So, yeah, I left that masterclass on a musical and linguistic high. That's the first time I've come away from something that married both my loves so happily. Who needs cannabis when you've got good music ecstatically described with the best possible words in the best possible order?
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